90’s
was the decade of romcoms in Hollywood. Many famous and classic romantic
comedies were made in the 90’s. Hugh Grant was the male Julia Roberts of that
decade. Two of his standout movies from the 90’s were Notting Hill and Four
Weddings and a Funeral. This piece is about the latter one because I have just
returned after watching Paray hut love which looks to be based on the movie.
The loose girlfriend now wife scene or feminine friend character of Ahmad Ali
Butt looks to be extracted directly from the movie and the overall story also
looks to be loosely based on the 90’s movie. The writer has only indigenized
the original script, which is a norm when it comes to such adaptations. However,
what pained me was that the makers did not even bother to mention the original
movie or thank the makers of the original movie. Interestingly, you see a
poster of Notting Hill in Shahryar’s bedroom but no mention of Four Weddings
and a funeral was found anywhere in the movie. So, if you haven’t watched the
original one you cannot relate the two movies, which is out rightly creative dishonesty
as due credit should have been given to the original makers and movie. It is
something that is ethical and a right of an artiste. While debating this, I am
not saying that remaking a movie is bad or wrong; my plea is simple that the
due procedure should be followed. A mere mention of it in the film poster would
have sufficed and due credit should have been given to the deserving.
I
know our industry is in a rebuilding phase. It is growing and mind you it is
improving but let us just not become Bollywood. Their penchant for ripping
apart classic Hollywood movies is not hidden. All of us in the absence of our
own cinema grew up watching Indian movies and we all know that nearly all of
them use to be a “charba” of Hollywood movies, at times the movie use to be a
cross over between two to three movies. Those films were an insult to the
original work. Above that they never acknowledged the original. Other than
Kaantay no other movie can be named here that has done any justice to the
original movie. This makes it rather more painful as we are following someone
else’s footsteps rather than finding our own path.
The thing is Paray
Hut love does not fail Four Weddings and a funeral. In fact, it is a perfect
ode to the Hugh Grant classic. Cinematography is excellent. The depiction of
Parsi community is applaudable and the best part is that the writer did it
without forcing it into the script. In a way film teaches the viewer about our
diversity which is a good thing and should be repeated and given due
consideration in the future as well. Music is great. Acting is digestible.
Ahmad Ali Butt and Zara shine but had very little to play with. Zara could be a
discovery as an actress if given the right opportunities. She is being
underused as an actress. I read in one
of the reviews of the movie that Hina Dilpazeer should come out of her Momo
mould but frankly every time she was on the screen she was able to draw a smile
if not laugh. It is important to understand that overdoing something or doing
it right again and again are two different things. The boys sitting next to me
really enjoyed the movie. Watching them was a scene in itself. I was delighted
to see that our cinema is finally winning some honest fans but it is equally
important that our artistes and filmmakers should also be honest to them.
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